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Sunrise in my Pocket, an American folk drama originally written by Edwin Justus Mayer, nevertheless adapted by Jeffrey Hayden for the Playmakers Repertory ships company recounts the epic adventure of Davy Crockett, Tennessee statesman and frontiersman and his subsequent journey to Texas. Davy Crockett, represent effortlessly by Playmakers leading actor, Kenneth P. Strong, is accompanied by his cheeseparing companion, Crawling Caterpillar, the gallant ex-pirate Hardin, the woman hating Thimblerig, and the man-hating Annie each part was heartened respectfully by Douglas Spain, Mike Regan, Jeffrey Blair Cornell, and Jamie Rose.The success of Jeffrey Haydens production should be attributed to the talented cast and their professional zeal that was evident in each exclusive performance. The main plot, the actual journey and the carefully woven sub-plots, between for slip Thimblerig and Annie became the foundation for fun-loving adventure and perhaps in the imagination of the aud itory modality greater adventure upon arrival in the Texas. The audience and thus the play greatly benefited from the use of the thrust stage, extending beyond the proscenium arch, the stage was surrounded on three sides by the audience. The thrust stage moved the serve into the crowd the audience became an extra, part of the play, no longer an audience removed, but an audience part. The stage was also raked, or maintained a long-lived slope atop a level auditorium floor. The sloped stage increase the effectiveness of the thrust stage, further projecting the action into the audience. The task of simulating the American frontier was given to scene designer Narelle Sissons and lighting designer bloody shame Louise Geiger. Sissons created a beautifully naked sink, backed by a plantation of trees that was brought to life by Geigers gentle moonbeams, water reflections, and campfire light. Not nigh as empty as Samuel Becketts Waiting for Godot however, both sets go forth the imagin ation to improvise and individually interpret the play. Sissons and Geiger created an appropriately classy set and lighting scene that added to the plays performance. Costume Designer, Marianne Custer, continued with the idea of simplicity period selecting the worn frontier clothing. Annie became the notable standout however, with her tight fitting buckskins. The costume save added to the character, a frontier feminist, Annie could compete with the bravest of males, but was still very maidenlike and had the beauty only a woman could. Sound Designer, M. Anthony Reimer, provided the audience with a subtle, yet effective portrayal of backcountry sounds.