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Analyse how Whos terror-stricken of Virginia Woolf? and A direction of adepts witness imaginatively portray individuals who challenge the conventional value of their time. Literature is an evaluation of the established values of their time, a manifestation of the composers perspectives demanding key issues that characte rebelliond their zeitgeist. This is evident in Virginia Woolfs polemical essay, A Room of Ones Own (1929), in which she portrays male person anxiety towards women during the post-WWI period.Similarly, Edward Albees 1962 satirical drama, Whos agoraphobic of Virginia Woolf (Afraid) projects an analogous fear of feminine dominance, although in post-WWII American society. In a further comparison, some(prenominal) composers focus on the importance of wealth in society, w present Woolf considers the significance of veridical security with regards to fiction writing in side society in the mid-twenties, whilst Albee criticises materialistic values in relation to af fectionate conformity in American society in the 1960s.Since the late nineteenth century female suffrage movement that empowered women, men feared universe displaced from their traditional positions of authority. Woolf conveys these established patriarchal values through A Room of Ones Own, in her examination of the phallocentric literary sphere of the 1920s, where anybody could make unnecessary literature, save they were not women. The symbolic title highlights womens fate for material security as a pre-condition to writing fiction, arguing that historically, men shake up denied women opportunities for achieving economic equality.Woolfs ironic use of simile reinforces her hypothesis that if just Mrs Seton had learnt the great art of making money and had left their money, like their fathers to put together fellowships. This highlights the historical lack of educational and monetary opportunities for women. Further much, Woolf blames patriarchal values for institutionalising invidious practices in English society. At the fictional Oxbridge, a Beadle indicates that this was the turf at that place was the path, symbolising the established gender exclusion in academia. Her thoughts interrupted, she expresses dismay as they had sent my little fish into hiding.Through this metaphor, Woolf implies that mens protection of their turf denied women opportunities for creativity, portraying an ingrained contextual fear of female intelligence that was perceived as encroaching upon male dominance in alwaysy sphere of endeavour. Albees contemporary political satire, Afraid, to a fault portrays male and female rivalry, incorporating textual features such as intense drama and dampen stage directions to convey the fierce gender passage of arms of his time. Whilst both texts were placid in post-war periods, Albees drama savagely critiques the established societal values of small town American society in the 1960s.This is evident when Martha criticises George as a g reatbigfatFLOP unable to rise up the departmental ranks. The use of crude colloquial language and pugnacious stage directions accentuates her frustration as she spits the word at Georges digest, reflecting Marthas authority over him, which symbolises womens growing influence in mainstream American society in the 1960s. Furthermore, Martha recalls the boxing match we had in an exertion to humiliate him, an allegory for the gendered power struggle.George reacts negatively, and to regain superiority, he takes a short-barrelled scattergun aims it at Martha and pulls the trigger. Coupled with this stage direction, Albees use of forceful punctuation in Georges childish point-scoring of Pow Youre nonviable signifies his desperation to recover his masculinity. In this way, Albee portrays the constant quarrelling between George and Martha as a symbol of anxiety and dysfunctionality in America in the 1960s, depicting the matter paranoia associated with the Cold War and nuclear war fare.Just as Woolf and Albee represent the gender conflict in post-war societies, they also criticise the wealth inequality and the greed of their time. Whilst Woolf reasons that secernment against women often prevented them from writing fiction, she also considers that poor material conditions likewise particular(a) their contribution to literature. Through the use of the modal verb to emphasise the importance of financial security, she expresses her contention regarding material needs that a woman must entertain money and a room of her own if she is to write fiction.The narrative of the tailless cat is symbolic of the distractions that interrupted women in their writing, hence Woolf highlights the need for the privacy of a room of ones own in order to think of things in themselves. Furthermore, she decides that 500 pounds a year for ever seemed infinitely more important than the suffrage movement as it was more conducive to her writing fiction. No longer working like a slave , Woolfs simile highlights that food, house, and clothing are forever exploit, reflecting the value of financial security in English society in the 1920s.Thus, Woolf sustains her thesis and highlights the importance of money and privacy, conveying the established attitude that a secure income ensured creative and intellectual freedom in English society. Alternatively, Albees political allegory reflects his criticism of the materialistic mores of American society in the 1960s, portraying human shallowness in a dramatic approximation of the American Dream, an root which has resonated inside society since the founding of America.It epitomises a traditionalist national ethos that entailed the possibility of universal prosperity and the pursuit of happiness for all, thus many individuals sought to increase their wealth and social status. This materialistic idea is conveyed through Nick, who crudely boasts, my wifes got some money. In characterising Nick as the typical shallow jock, A lbee undermines this concept of the successful man, dramatising a soulless aspect of the American Dream. Additionally, Martha criticises Georges salary, mirroring the contextual attitudes of middle-class America, when status was associated with high income levels.She sneers at George, advising him not to waste unassailable liquornot on your salary. Here, Marthas mocking stair captures her disappointment as she hopes that was an empty bottle. However, the empty bottle also symbolises her despair as George is only on an Associate Professors salary. This brings to mind the social importance of income but unlike in Woolfs society, where womens economic security may liberate creativity, here economic success serves as a status symbol within the American Dream.Thus, literature, with its distinct forms and features, is influenced by varying contexts, portraying similar concerns that fire our understanding of the established values of the time. Woolfs polemic, A Room of Ones Own (1929), may differ textually and contextually from Albees Whos Afraid of Virginia Woolf (1962), which portrays a savage attack on American values, but both texts reflect male fear of women due to their growing influence in post war societies. Furthermore, they focus on the importance of wealth with regard to literary creativity in English society in the 1920s and the realisation of the American Dream during the 1960s.